Today photographer Reto Caduff releases Freckles ($69), a photo book featuring an assemblage of freckled beauties. Caduff was inspired to create the publication because speckled visages are rarely seen in magazines and media today; models with freckles are often covered with makeup or altered digitally to erase their most distinctive (and visually alluring) feature. Get a sneak peek of the striking images at freckledbeauties.com. But hurry and grab your limited-edition copy, as only 500 books have been printed. And to all those childhood bullies who called you freckle-face or spot: who’s laughing at your uniquely freckled face now?
Photo courtesy of Reto Caduff
micropolisnyc:

Why aren’t there more minority models in the pages of fashion magazines?
The answers are often disturbing, and speak to a form of racial bigotry found in the fashion centers of New York and London — as well as a deep-rooted aesthetic that equates prestige and elitism with stereotypical whiteness (and thin-ness).
Here are a few highly-revealing quotes from fashion industry employees, from an analysis of the industry by Ashley Mears, a sociologist and former model. Her article is called “Size zero high-end ethnic: Cultural production and the reproduction of culture in fashion modeling,” and was published in 2009. Mears kept the identities of her sources private.
“A lot of black girls have got very wide noses… The rest of her face is flat, therefore, in a flat image, your nose, it broadens in a photograph. It’s already wide, it looks humongous in the photograph. I think that’s, there’s an element of that, a lot of very beautiful black girls are moved out by their noses, some of them.” —H, London Agency Director
“But it’s also really hard to scout a good black girl. Because they have to have the right nose and the right bottom. Most black girls have wide noses and big bottoms so if you can find that right body and that right face, but it’s hard.” —A, NYC Agency Scout
“Okay let’s say Prada. You don’t have a huge amount of black people buying Prada. They can’t afford it. Okay so that’s economics there. So why put a black face? They put a white face, because those are the ones that buy the clothes.” —L, NYC Stylist
“We don’t like using the same model too often, but it’s harder to find ethnic girls. And…well, I don’t want to sound racist, but— well for Asians, it’s hard to find tall girls that will fit the clothes because most of them are very petit. For black girls, I guess—black girls have a harder edge kind of look, like if I’m shooting something really edgy, I’ll use a black girl, it always just depends on the clothes.” —A, NYC Magazine Editor
“Me personally, in my opinion, there really is no good, good, black girl around. The really good, good black girl around are still the same, and are still the one that everybody wants… It’s very difficult to find one. The agency don’t deliver enough choice to make happy the client [sic].” —O, NYC Casting Director

micropolisnyc:

Why aren’t there more minority models in the pages of fashion magazines?

The answers are often disturbing, and speak to a form of racial bigotry found in the fashion centers of New York and London — as well as a deep-rooted aesthetic that equates prestige and elitism with stereotypical whiteness (and thin-ness).

Here are a few highly-revealing quotes from fashion industry employees, from an analysis of the industry by Ashley Mears, a sociologist and former model. Her article is called “Size zero high-end ethnic: Cultural production and the reproduction of culture in fashion modeling,” and was published in 2009. Mears kept the identities of her sources private.

A lot of black girls have got very wide noses… The rest of her face is flat, therefore, in a flat image, your nose, it broadens in a photograph. It’s already wide, it looks humongous in the photograph. I think that’s, there’s an element of that, a lot of very beautiful black girls are moved out by their noses, some of them.” —H, London Agency Director

“But it’s also really hard to scout a good black girl. Because they have to have the right nose and the right bottom. Most black girls have wide noses and big bottoms so if you can find that right body and that right face, but it’s hard.” —A, NYC Agency Scout

“Okay let’s say Prada. You don’t have a huge amount of black people buying Prada. They can’t afford it. Okay so that’s economics there. So why put a black face? They put a white face, because those are the ones that buy the clothes.” —L, NYC Stylist

“We don’t like using the same model too often, but it’s harder to find ethnic girls. And…well, I don’t want to sound racist, but— well for Asians, it’s hard to find tall girls that will fit the clothes because most of them are very petit. For black girls, I guess—black girls have a harder edge kind of look, like if I’m shooting something really edgy, I’ll use a black girl, it always just depends on the clothes.” —A, NYC Magazine Editor

Me personally, in my opinion, there really is no good, good, black girl around. The really good, good black girl around are still the same, and are still the one that everybody wants… It’s very difficult to find one. The agency don’t deliver enough choice to make happy the client [sic].” —O, NYC Casting Director